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VERSION:2.0
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X-WR-CALNAME:Coastal Concerts Presents WindSync at CAMP Rehoboth
BEGIN:VEVENT
UID:343272026-02-13
DTSTART:20260213T190000Z
SEQUENCE:0
TRANSP:OPAQUE
DTEND:20260213T050000Z
LOCATION:37 Baltimore Avenue\nRehoboth Beach DE 19971
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=37 Baltimore Avenue\nRehobo
 th Beach DE 19971;X-APPLE-RADIUS=49;X-TITLE=37 Baltimore Avenue:geo:38.717
 396,-75.080032
GEO:38.717396;-75.080032
SUMMARY:Coastal Concerts Presents WindSync at CAMP Rehoboth
CLASS:PUBLIC
DESCRIPTION:Coastal Concerts proudly presents the award-winning wind quinte
 t\nWindSync at CAMP Rehoboth on Friday\, Feb. 13\, at 2 p.m. for this free
 \nrecital. The show precedes Coastal Concert's WindSync showcase at 2\np.m
 .\, Saturday\, Feb. 14\, at Bethel United Methodist Church\, 4th and\nMark
 et streets in Lewes. Tickets are for sale at\nwww.coastalconcerts.org. The
  quintet will play a program of Nadia\nBoulanger\, Elliott Carter\, Philip
  Glass\, Dieterich Buxtehude\, and\nMozart arrangements. About WindSync: I
 n its 16-year history\, the group\nhas appeared on notable stages in the U
 .S. and around the world.\nHighlights of WindSync’s 2024-25 season inclu
 de a weeklong residency\nat Ravinia’s Bennett Gordon Hall series\, Chica
 go\; and a weeklong\nresidency at Shelter Island Friends of Music\, New Yo
 rk. The season\nalso includes performances at Corpus Christi Chamber Music
  Society\;\nHarvard Musical Association\, Cambridge\; Chamber Music Kelown
 a\, British\nColumbia\; Chamber Music Northwest in Seattle\; and Emerald C
 ity Music\nin Portland\, Oregon. The group embraces the classics and a gro
 wing\ncontemporary repertoire. In the span of a single concert\, WindSync\
 nmight cover revitalized standards\, freshly inked works\, folk and\nsongb
 ook. Its personal performance style\, combined with its mission of\nartist
 ry\, education and community-building\, has enhanced its\nreputation as 
 “a group of virtuosos who are also wonderful people\,\ntoo\,” said Ali
 son Young of Classical MPR (Minnesota Public Radio).\nWindSync’s artisti
 c hometown is Houston\, where its Onstage Offstage\nChamber Music Festival
  has been entertaining followers since its\ninception in 2017. Festival pa
 rtners include the Houston Youth\nSymphony and the Center for Performing A
 rts Medicine. Founding member\nGarrett Hudson is a flutist who hails from 
 Winnipeg\, Manitoba\, where\nhe emerged at the age of 16 in a solo debut w
 ith the Winnipeg\nSymphony. Before embarking on a career as an internation
 al soloist\,\ninstructor\, orchestral and chamber musician\, he held posit
 ions in some\nof North America’s leading professional training orchestra
 s. They\ninclude the National Academy Orchestra of Canada and l’Orchestr
 e de\nla Francophonie in Montreal. He also participated in the world-class
 \nYoung Artists Program through Ottawa’s National Arts Center. Hudson\nm
 aintains a teaching studio in Houston. Oboist Noah Kay joined the\nColorad
 o Springs Philharmonic as principal oboe\, and in September 2022\nhe was a
 ppointed principal oboe of Symphony in C in Camden\, NJ. Kay\nhas performe
 d and toured in Japan\, Europe\, and the U.S. He received a\nbachelor’s 
 of music degree at the Eastman School of Music and a\nmaster’s of music 
 from Yale University. The New Jersey native\, now\nresiding in New York Ci
 ty\, is currently a doctoral candidate at Stony\nBrook University. Clarine
 tist Graeme Steele Johnson recently garnered\nwidespread attention for his
  rediscovery and reconstruction of a\n125-year-old Octet by Charles Martin
  Loeffler. He appeared recently at\nthe Library of Congress\, Chamber Musi
 c Northwest\, Ravinia\, Emerald\nCity Music and Morgan Library. In a recen
 t TEDX talk\, he compared the\nstructural similarities between Mozart and 
 the 90s sitcom Seinfeld.\nJohnson studied at the University of Texas at Au
 stin and earned\ngraduate degrees from the Yale School of Music. He comple
 ted doctoral\nstudy at the CUNY Graduate Center. Bassoonist Kara LaMoure i
 s a\nperformer\, educator and prolific arranger of chamber music for winds
 .\nShe is a founding member of a comedic crossover group Breaking Winds\nB
 assoon Quartet\, known for its web presence and following among young\nmus
 icians. LaMoure has played with the New Zealand Symphony Orchestra\nand th
 e Civic Orchestra of Chicago\, and she can be heard on the\noriginal sound
 track to The Hobbit: The Desolation of Smaug. She earned\ndegrees from the
  Eastman School of Music and Northwestern University\,\nand she is current
 ly an instructor at Eastman’s Institute for Music\nLeadership. She lives
  in New York City. French Horn player Anni\nHochhalter is a founding membe
 r and executive director of WindSync.\nShe has performed in North America\
 , Panama\, the United Kingdom\, Italy\,\nTaiwan and has played extensively
  in China. Hochhalter has appeared\nmultiple times with the Grand Teton Mu
 sic Festival\, the Chamber Music\nFestival of Lexington\, and the Orcas Is
 land Chamber Music Festival.\nShe also has appeared as a featured soloist 
 with the Seattle Symphony\nSoundbridge\, the Diablo Symphony\, the Lafayet
 te Symphony Orchestra and\nRiver Oaks Chamber Orchestra. She studied horn 
 at the University of\nSouthern California and is a graduate of Stanford Un
 iversity’s\nExecutive Program in Social Entrepreneurship. She is based i
 n San\nFrancisco. This program is supported in part by a grant from the\nD
 elaware Division of the Arts\, a state agency\, in partnership with the\nN
 ational Endowment for the Arts. The Division promotes Delaware arts\nevent
 s on www.DelawareScene.com.  Venue: CAMP Rehoboth.
X-ALT-DESC;FMTTYPE=text/html:Coastal Concerts proudly presents the award-wi
 nning wind quintet WindSync at CAMP Rehoboth on Friday\, Feb. 13\, at 2 p.
 m. for this free recital. The show precedes Coastal Concert's WindSync sho
 wcase at 2 p.m.\, Saturday\, Feb. 14\, at Bethel United Methodist Church\,
  4th and Market streets in Lewes. Tickets are for sale at www.coastalconce
 rts.org. The quintet will play a program of Nadia Boulanger\, Elliott Cart
 er\, Philip Glass\, Dieterich Buxtehude\, and Mozart arrangements. About W
 indSync: In its 16-year history\, the group has appeared on notable stages
  in the U.S. and around the world. Highlights of WindSync’s 2024-25 seas
 on include a weeklong residency at Ravinia’s Bennett Gordon Hall series\
 , Chicago\; and a weeklong residency at Shelter Island Friends of Music\, 
 New York. The season also includes performances at Corpus Christi Chamber 
 Music Society\; Harvard Musical Association\, Cambridge\; Chamber Music Ke
 lowna\, British Columbia\; Chamber Music Northwest in Seattle\; and Emeral
 d City Music in Portland\, Oregon. The group embraces the classics and a g
 rowing contemporary repertoire. In the span of a single concert\, WindSync
  might cover revitalized standards\, freshly inked works\, folk and songbo
 ok. Its personal performance style\, combined with its mission of artistry
 \, education and community-building\, has enhanced its reputation as “a 
 group of virtuosos who are also wonderful people\, too\,” said Alison Yo
 ung of Classical MPR (Minnesota Public Radio). WindSync’s artistic homet
 own is Houston\, where its Onstage Offstage Chamber Music Festival has bee
 n entertaining followers since its inception in 2017. Festival partners in
 clude the Houston Youth Symphony and the Center for Performing Arts Medici
 ne. Founding member Garrett Hudson is a flutist who hails from Winnipeg\, 
 Manitoba\, where he emerged at the age of 16 in a solo debut with the Winn
 ipeg Symphony. Before embarking on a career as an international soloist\, 
 instructor\, orchestral and chamber musician\, he held positions in some o
 f North America’s leading professional training orchestras. They include
  the National Academy Orchestra of Canada and l’Orchestre de la Francoph
 onie in Montreal. He also participated in the world-class Young Artists Pr
 ogram through Ottawa’s National Arts Center. Hudson maintains a teaching
  studio in Houston. Oboist Noah Kay joined the Colorado Springs Philharmon
 ic as principal oboe\, and in September 2022 he was appointed principal ob
 oe of Symphony in C in Camden\, NJ. Kay has performed and toured in Japan\
 , Europe\, and the U.S. He received a bachelor’s of music degree at the 
 Eastman School of Music and a master’s of music from Yale University. Th
 e New Jersey native\, now residing in New York City\, is currently a docto
 ral candidate at Stony Brook University. Clarinetist Graeme Steele Johnson
  recently garnered widespread attention for his rediscovery and reconstruc
 tion of a 125-year-old Octet by Charles Martin Loeffler. He appeared recen
 tly at the Library of Congress\, Chamber Music Northwest\, Ravinia\, Emera
 ld City Music and Morgan Library. In a recent TEDX talk\, he compared the 
 structural similarities between Mozart and the 90s sitcom Seinfeld. Johnso
 n studied at the University of Texas at Austin and earned graduate degrees
  from the Yale School of Music. He completed doctoral study at the CUNY Gr
 aduate Center. Bassoonist Kara LaMoure is a performer\, educator and proli
 fic arranger of chamber music for winds. She is a founding member of a com
 edic crossover group Breaking Winds Bassoon Quartet\, known for its web pr
 esence and following among young musicians. LaMoure has played with the Ne
 w Zealand Symphony Orchestra and the Civic Orchestra of Chicago\, and she 
 can be heard on the original soundtrack to The Hobbit: The Desolation of S
 maug. She earned degrees from the Eastman School of Music and Northwestern
  University\, and she is currently an instructor at Eastman’s Institute 
 for Music Leadership. She lives in New York City. French Horn player Anni 
 Hochhalter is a founding member and executive director of WindSync. She ha
 s performed in North America\, Panama\, the United Kingdom\, Italy\, Taiwa
 n and has played extensively in China. Hochhalter has appeared multiple ti
 mes with the Grand Teton Music Festival\, the Chamber Music Festival of Le
 xington\, and the Orcas Island Chamber Music Festival. She also has appear
 ed as a featured soloist with the Seattle Symphony Soundbridge\, the Diabl
 o Symphony\, the Lafayette Symphony Orchestra and River Oaks Chamber Orche
 stra. She studied horn at the University of Southern California and is a g
 raduate of Stanford University’s Executive Program in Social Entrepreneu
 rship. She is based in San Francisco. This program is supported in part by
  a grant from the Delaware Division of the Arts\, a state agency\, in part
 nership with the National Endowment for the Arts. The Division promotes De
 laware arts events on www.DelawareScene.com.  Venue: CAMP Rehoboth.
DTSTAMP:20261028T225737Z
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